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| DEREK MORRIS |
| A survey of the career of a sculptor whose involvement in making, materials, structure and interior space has led to work with turned wood, vinyl laminates, carved stone, assembled metals, ceramic and, most recently, the immateriality of light. |
| 36 pages, colour throughout. Paperback, 210x210mm, £12.00 |
| ISBN 978-0-9556293-0-3 |
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| THE SHOCK OF THE YOU |
| Documentation of Convocation , the site-specific installation by the art co-operative Sparks at the Economist Plaza in summer 2007 that examined the implications of public open space and the possibility of bringing people together in a modern city environment |
| 10 pages + 4 page cover, colour throughout. Paperback, 150x210mm, £5.00 |
| ISBN 978-0-9556293-1-0 |
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| LAYER CAKE |
Catalogue of the exhibition organised by Roger Kelly for Fabio Tiboni Arte Contemporanea, Bologna, that brought together seven painters working in London and presented a dialogue between the contemporary studio practices of Phillip Allen, Neil Gall, Vincent Hawkins, Roger Kelly, Bob Matthews, Andrea Medjesi-Jones, Jost Münster |
| 66 pages, colour throughout. Paperback, 201x242mm, £12.00 |
| ISBN 978-0-9556293-2-7 |
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| MARTIN NEWTH: SOLAR CINEMA |
| Newth's year-long project in 2006-7 examined contemporary aspects of image-making through the fundamentals of photography - writing with light - and the use of a camera obscura. With texts by Alison Green and Paul Tebbs. Published with Art Works in Wimbledon |
| 48 pages, colour throughout. Paperback, 210x210mm, £10 |
| ISBN 978-0-9556293-3-4 |
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| TERRY SETCH: THE SEA PUTS OUT THE FIRES |
| An introduction to the career of one of the most radical painters in Britain during the past 50 years. |
| 16 pages + 4 page cover, black throughout. Paperback, 150x210mm, £4.00 |
| ISBN 978-0-9556293-5-8 |
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| DANNY ROLPH: SINGULARITY |
| A visual record of Rolph's installation at the Barbara Davis Gallery, Houston, Texas, in summer 2007 that included the artist's largest wall work to date, an image that dealt with modern collage, consumer society, colour, line and the Big Bang. In association with Winchester School of Art, University of Southampton |
40 pages, colour throughout. Paperback, 190x140mm, £7.50 |
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| MAYA HEWITT |
| The first book to look into the fantastical, spectral world of Hewitt's paintings that use oil, ink, board and paper to conjure up unreal, contorted spaces and possible stories. With an essay by Charles Danby. Published to accompany Our Immortal Souls, Hewitt's solo exhibition at Bischof/Weiss, London, in 2008. |
| 48 pages, colour throughout. Paperback, 180x145mm, £7.00 ISBN 987-0-9556293-6-5 |
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